Save the Cat, anyone?

So, I have written about Save The Cat! The Last Book on Screenwriting You’ll Ever Need before.


And I have probably mentioned Save the Cat! Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, as well, since I believe you need both these books to approach plot and structure the Snyder way, and frankly, this is the best approach I have ever found. [YMMV, etc.] (I don’t know how I missed Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into … and Out of, and why it’s already out of print, or at least not available from Amazon, but at least it’s shipped by Amazon so I can use my Amazon Prime, erm, I digress. Ahem. But if you have that book, let me know what it’s about and what you think, though I’m probably about to order it. And isn’t it amazing how the last book you’ll ever need on screenwriting still was followed by more books? Is anybody surprised? But, if the third is anything like the first, it’s well worth the money and I am wondering if there will be any more, since Blake Snyder is no longer with us, may he R.I.P.)

I’m curious about those of you who also have used STC. I’m really curious how many of you were beginning writers and how many brought a certain amount of knowledge of story with you as you began reading the book. I’m curious about your experiences with STC, successful and unsuccessful.

I’m considering using it more heavily in my writing classes, and want to get a bigger picture of how people respond to it.

For my own part, even though I already understood 3-act structure and had published five novels and won a couple of screenwriting competitions before I picked up STC, the scene cards, sceneboard and genre breakdowns from STC gave me a set of tools that opened up plotting to me in a way that for the first time truly helped me do it. Not understand it on a broad, general level. But actually take my own ideas and arrange them, and understand how they should fit together to achieve what I wanted.

Perhaps I also bring a lot of confidence to the process and I know when to ignore something and when to use something, when words in a book are helping me get closer to my vision and when they aren’t.

Think that’s it?

Tell me. Let’s talk about saving that darned cat.

BTW, if you’re doing nanowrimo this November? This might be a good time to whip out STC and start plotting that novel. It would be an excellent way to map it out in detail so you can dive in and start writing.

4 Comments

Filed under Index Cards, Movies, nanowrimo, Novels, Publishing, Save the Cat, Screenwriting, Storyboard, Writers, Writing

4 responses to “Save the Cat, anyone?

  1. Pamela Dumond

    Love Snyder’s Save the Cat system. I’m combining that with How Movies Work, Storymaker class to work on my new novel. you can find HMW on FB or HMW.com

    xo,

    • Oh, I’ll look at that and see how it flows. Right now I’m juggling “Golden Fleece” and “Whydunnit,” trying to figure out which is the structure of book two in my trilogy. Having my storyboard to write from when I wrote book one was so amazing, I think I kinda forgot how much thought and musing and research and work went into actually coming up with plot and board to begin with!

  2. As you know, I adore STC books – and thank you very much for introducing them to me! The system is easily adaptable to novels. I love it!

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